Showing posts with label james stewart. Show all posts
Showing posts with label james stewart. Show all posts

Friday, November 25, 2011

My Favorite Films: It's a Wonderful Life

Since most of my posts during the month of December are going to be Bogie-centeric, I wanted to take some time over the next week to talk about some of my favorite films to watch over the holidays. My all time favorite Christmas film (and one of my favorite films in general) is Frank Capra's It's a Wonderful Life.

Released in 1946 and starring James Stewart and Donna Reed, the film tells the story of George Bailey (Stewart), a family man on the brink of suicide and feels that his loved ones would be better off had he never lived. George then receives a visit from an angel (Henry Travers) who shows him what the small town of Bedford Falls would have been like without him and makes him realize that his life is pretty wonderful, after all.

With certain films, there is one specific quality that makes it memorable. Sometimes it's the acting, the direction or the script. With It's a Wonderful Life, it's all these and more that make it the cinematic masterpiece it is today.

"Dear Father in Heaven, I'm not a praying man, but if you're up there and you can hear me, show me the way."

I'm always mesmerized by the talent that the actors posses, particularly James Stewart. Stewart was such a marvelous actor, and one thing that contributed to this was his ability to do well in any genre of film. He could do comedy (The Philadelphia Story), western (The Man Who Shot Liberty Valance) and thriller (Vertigo) with each performance being equally great. He often brings me to tears several times during the movie, but two scenes stand out the most for me: the first being the scene where George prays in the bar and the second when Harry toasts George as "the richest man in town". The emotions in It's a Wonderful Life are so real and effective. I dare you not to cry while watching it.  


Then there's Donna Reed, who is one of my favorite underrated actresses. Reed, like Stewart, also did well playing in versatile roles- here, she portrays the devoted wife and loving mother, yet she won her sole Academy Award playing a prostitute in From Here to Eternity. I also love the way she acts alongside Stewart, their chemistry together, especially in the telephone scene is unforgettable.

Also in the supporting cast are Lionel Barrymore as Mr. Potter and Thomas Mitchell as Uncle Billy. This is one of Barrymore's finest performances, even though he plays what was probably his most evil character. While Mitchell is seldom mentioned among popular actors today, he appeared in several iconic films- Gone With the Wind, Stagecoach (for which he won an Oscar) and High Noon, to name a few. It's nice to see him playing the comical character since this is definitely a dramatic film.


The film's screenplay was adapted from the short story The Greatest Gift written by Phillip Van Doren Stern. Doren unsuccessfully attempted to publish the story, and made it into a Christmas card instead. This attracted attention from RKO's David Hempstead, who mentioned it to Cary Grant's agent. In 1944, RKO bought the rights hoping to have Grant play George, he, however, went on to star in The Bishop's Wife instead (which I will be discussing in a blog post over the next few days).

Frank Capra then read The Greatest Gift and saw potential within the story. This is great because no one besides Capra could have made this movie as well as he did. The script is perfect- the dialogue pulls at the viewers' heartstrings without being too over-the-top (I personally think the term "Capra-corn" was undeserved). Capra's flawless direction only adds to the film. His camera shots are stunning, from the opening scene featuring a visual of "heaven" as the citizens of Bedford Falls pray for George, to the scene on the bridge where he contemplates taking his own life.

"...Every time a bell rings, an angel gets its wings."


In 2006, the American Film Institute named It's a Wonderful Life the most inspirational film ever made, and it is. Frank Capra's work continues to be a heartwarming story that sparks the dreamer in all of us and reminds the viewer not to take what life has to offer for granted. If you have yet to see this film, I hope you change that this holiday season.

Wednesday, August 17, 2011

Review: The Man Who Shot Liberty Valance (1962)

IMDb Synopsis: A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.


I'll admit it- even though I'm a movie lover, I don't like westerns. And for a number of reasons, mainly because few of my favorite actors were in them, and the thought of (usually) just watching people shoot each other and ride around on horses doesn't appeal to me. I watched The Man Who Shot Liberty Valance because I really like James Stewart, I'm attempting to give John Wayne a chance, and it's considered to be one of those "every classic film fan has to see it" films. I'm still not a fan of westerns in general, but this is definitely the best one I've seen.


I mentioned previously that I was a Jimmy Stewart fan, and his performance did not disappoint- the fact that he wasn't nominated for an Academy Award baffles me. Out of the handful of John Wayne films I've watched, I consider his performance in Liberty Valance to be his finest- and that tops films like Stagecoach, Red River, and They Were Expendable. Other notable performances are delivered by Vera Miles (who is also great in Hitchcock's underrated thriller The Wrong Man) Lee Marvin as Liberty Valance himself, and Edmond O'Brien.


 I can't finish this review without mentioning John Ford. His direction was marvelous, but I wasn't surprised considering this was from the same man who made Young Mr. Lincoln and one of my all-time favorites, The Grapes of Wrath (which I reviewed a few months ago). I think it's safe to say that he's probably the greatest western director of all time.


All in all, I think The Man Who Shot Liberty Valance is a great film that should be seen by all classic film fans, even the ones like me that don't care for westerns.


4/5 stars

Tuesday, January 11, 2011

Review: Vertigo (1958).


Ver·ti·go [vur-ti-goh] noun: a dizzying sensation of tilting within stable surroundings or of being tilting or spinning surroundings

"I have acrophobia which gives me vertigo and I get dizzy. Boy, what a moment to find out I had it!"

IMDb Synopsis: A San Fransisco detective suffering from acrophobia investigates the strange activities of an old friends' wife, all the while becoming dangerously obsessed with her.

Over the weekend, I (finally) sat down to watch the first film of my 2011 Resolutions list: Alfred Hitchcock's "Vertigo", starring James Stewart, Kim Novak, Barbara Bel Geddes, and Tom Helmore. 
Released in 1958, Vertigo was badly reviewed by critics, but is now considered to be Hitchcock's masterpiece.

Vertigo is a film of four different elements/genres: psychological thriller, film noir, mystery, and romance. The screenplay is based on a French novel, The Living and the Dead, by Pierre Boileau and Thomas Narcejac.
(Credit Wikipedia.)


***MAJOR SPOILER ALERT***
READ AT YOUR OWN RISK!



I thought Vertigo was amazing, and pure Hitchcock. I'll admit I even thought it was better than Rear Window (but Rear Window is still great!).

Some of the films' most significant scenes include the now-infamous Vertigo "zoom"- Hitchcock originally wanted to use this effect in "Rebecca" (1940), but technology at that time had not allowed him to do so. The effect was inspired by a time when Hitchcock fainted during a party. (Credit IMDb).

Vertigo literally had me on the edge of my seat the whole time I was watching it. I had no idea how it would turn out, and I'll admit that Madeleine's death at the church tower was the last thing I saw coming. I may now have a fear of nuns for the rest of my life.


The romance between Stewart and Novak's characters plays a main part in Vertigo. Their chemistry together was wonderful, which is why I was so shocked by Madeleine/Judy's death. I can't wait to watch them in Bell, Book, and Candle.


One of the best things about Vertigo is the direction and special effects. Of course, there's the special "zoom" effect that I noted before, but the classic Hitchcock direction is what makes this film so memorable.

I'm so glad I finally watched Vertigo. One of Hitchcock's best, and I recommend it to anyone.

Academy Awards, 1959:
Best Art Direction, Black-and-White or Color Nominee
Best Sound Nominee